This world class art gallery houses the largest collection of Italian Renaissance art in the world and is a premier destination for art enthusiasts and historians alike. Located in the magnificent Palazzo degli Uffizi in over 100 rooms, masterpieces by Botticelli, Michelangelo, and Leonardo da Vinci astonish millions of visitors every year. The Medici family's legacy is omnipresent, their collection a gift to Florence ensuring the city's eternal connection to the Renaissance.

Santa Maria del Fiore is a masterpiece of Renaissance art and architecture. With its magnificent red-tiled dome designed by Brunelleschi and a facade that delights in shades of pink, white, and green marble, the Duomo commands the city's landscape. Build between 1296 and 1436, it claims the title of the third-largest cathedral in Europe, surpassed only by St. Peter’s in Rome and the Duomo in Milan. Inside, the cathedral shelters artistic treasures from Michelangelo to Donatello, alongside stunning frescoes.

The Palazzo Vecchio, with its imposing structure and commanding presence, is one of Florence's top sights. This historic building serves as the city's town hall and casts its gaze over the bustling Piazza della Signoria, an iconic square adorned with a replica of Michelangelo's David.

The highlight of this art museum is Michelangelo's David, his most challenging project. Carved from a single, imperfect block of marble, this iconic statue captivates with its intricate details and lifelike expressions. The gallery also features his unfinished works, the Prisoners and Saint Matthew, alongside a curated collection of Florentine paintings from the 13th to the 16th centuries, including Botticelli and Ghirlandaio. With over 1.46 million visitors (2016), the galleria is Italy's second-most-visited art museum.

Spanning the Arno River in Florence with its medieval stone arches, the Ponte Vecchio is adorned with a vibrant trail of jewellery and souvenir shops. The iconic bridge connects the city's cultural heartbeats:

The Palazzo Pitti, just a stone's throw from the Ponte Vecchio, was once the residence of the Medici and now houses some of Florence’s most important museums.

The Piazza della Signoria is the historic and vibrant heart of Florence, located in front of the imposing Palazzo Vecchio. This bustling square houses an impressive collection of statues and monuments, resembling an open-air museum that attracts tourists from around the world. A visit to the piazza is essential for anyone visiting Florence.

The Basilica di Santa Croce, located in the heart of Florence, is an impressive landmark and the largest Franciscan church in Italy. Known as the "Pantheon of Florence," it houses the tombs of famous figures such as Michelangelo, Galileo Galilei, and Machiavelli. The basilica's facade, a masterpiece of neo-Gothic style, is elegant and beautiful. Inside, you will find magnificent frescoes by Giotto depicting the life of Saint Francis, as well as Donatello's splendid "Deposition from the Cross."

The Basilica di Santa Maria Novella is one of the most significant churches in Florence and a masterpiece of Gothic and Renaissance architecture. It is located at Piazza Santa Maria Novella, directly opposite the train station of the same name. The magnificent facade, designed by Leon Battista Alberti, was completed in 1470. The complex includes the church, two cloisters, and several monastic buildings.

Piazzale Michelangelo is undeniably one of the most popular viewpoints in Florence. Perched on a hill south of the Arno, it offers stunning panoramic views of the city, including the Duomo, Ponte Vecchio, and the Tuscan hills. At sunset, crowds gather to witness the Renaissance city bathed in golden light.

The Florence Baptistery, also known as the Baptistery of Saint John, is a religious building in Florence, Italy, and has the status of a minor basilica. The octagonal baptistery stands in both the Piazza del Duomo and the Piazza San Giovanni, across from Florence Cathedral and the Campanile di Giotto. The Baptistery is one of the oldest buildings in the city, constructed between 1059 and 1128 in the Florentine Romanesque style. Although the Florentine style did not spread across Italy as widely as the Pisan Romanesque or Lombard styles, its influence was decisive for the subsequent development of architecture, as it formed the basis from which Francesco Talenti, Leon Battista Alberti, Filippo Brunelleschi, and other master architects of their time created Renaissance architecture. In the case of the Florentine Romanesque, one can speak of proto-renaissance, but at the same time an extreme survival of the late antique architectural tradition in Italy, as in the cases of the Basilica of San Salvatore, Spoleto, the Temple of Clitumnus, and the church of Sant'Alessandro in Lucca. The Baptistery is renowned for its three sets of artistically important bronze doors with relief sculptures. The south doors were created by Andrea Pisano and the north and east doors by Lorenzo Ghiberti. Michelangelo dubbed the east doors the Gates of Paradise. Up to 1935, the Baptistery was the only place where Florentines were baptized. As a consequence, poet Dante Alighieri, famous Renaissance artists, Amerigo Vespucci, members of the Medici family, etc. were baptized in this baptistery.

The Medici Chapels are two structures at the Basilica of San Lorenzo, Florence, Italy, dating from the 16th and 17th centuries, and built as extensions to Brunelleschi's 15th-century church, with the purpose of celebrating the Medici family, patrons of the church and Grand Dukes of Tuscany. The Sagrestia Nuova was designed by Michelangelo. The larger Cappella dei Principi, although proposed in the 16th century, was not begun until the early 17th century, its design being a collaboration between the family and architects. These are not to be confused with the Magi Chapel in the Palazzo Medici Riccardi, then the main Medici home, that houses a famous cycle of frescoes by Benozzo Gozzoli, painted around 1459.

The Central Market (mercato centrale) is a two-level, indoor food market and part of the larger San Lorenzo market.

David is a masterpiece of Italian Renaissance sculpture, created from 1501 to 1504 by Michelangelo. With a height of, the David was the first colossal marble statue made in the early modern period following classical antiquity, a precedent for the 16th century and beyond. David was originally commissioned as one of a series of statues of twelve prophets to be positioned along the roofline of the east end of Florence Cathedral, but was instead placed in the public square in front of the Palazzo della Signoria, the seat of civic government in Florence, where it was unveiled on 8 September 1504. In 1873, the statue was moved to the Galleria dell'Accademia, Florence, and in 1910 replaced at the original location by a replica. The biblical figure David was a favoured subject in the art of Florence. Because of the nature of the figure it represented, the statue soon came to symbolise the defence of civil liberties embodied in the 1494 constitution of the Republic of Florence, an independent city-state threatened on all sides by more powerful rival states and by the political aspirations of the Medici family.

The Basilica della Santissima Annunziata is a Renaissance-style, Catholic minor basilica in Florence, region of Tuscany, Italy. This is considered the mother church of the Servite Order. It is located at the northeastern side of the Piazza Santissima Annunziata near the city center.

The Ospedale degli Innocenti 'Hospital of the Innocents', also known in old Tuscan dialect as the Spedale degli Innocenti, is a historic building in Florence, Italy. It was designed by Filippo Brunelleschi, who received the commission in 1419 from the Arte della Seta. It was originally a children's orphanage. It is regarded as a notable example of early Italian Renaissance architecture. The hospital, which features a nine bay loggia facing the Piazza SS. Annunziata, was built and managed by the Arte della Seta or Silk Guild of Florence. That guild was one of the wealthiest in the city and, like most guilds, took upon itself philanthropic duties. The building is considered to be the first pure Early Renaissance structure. Today the building houses a small museum of Renaissance art with works by Luca della Robbia, Sandro Botticelli, and Piero di Cosimo, as well as an Adoration of the Magi by Domenico Ghirlandaio. The building currently serves as the base of operations for the UNICEF Innocenti Research Centre.

The Basilica di San Lorenzo is one of the largest churches of Florence, Italy, situated at the centre of the main market district of the city, and it is the burial place of all the principal members of the Medici family from Cosimo il Vecchio to Cosimo III. It is one of several churches that claim to be the oldest in Florence, having been consecrated in 393 AD, at which time it stood outside the city walls. For three hundred years it was the city's cathedral, before the official seat of the bishop was transferred to Santa Reparata. San Lorenzo was the parish church of the Medici family. In 1419, Giovanni di Bicci de' Medici offered to finance a new church to replace an eleventh-century Romanesque rebuilding. Filippo Brunelleschi, the leading Renaissance architect of the first half of the fifteenth century, was commissioned to design it, but the building, with alterations, was not completed until after his death. The church is part of a larger monastic complex that contains other important architectural and artistic works: the Old Sacristy by Brunelleschi and having interior decoration and sculpture by Donatello; the Laurentian Library by Michelangelo; the Medici Chapels, two structures that include the New Sacristy based on Michelangelo's designs; and the larger Cappella dei Principi being a collaboration between the family and architects.

The Palazzo Medici, also called the Palazzo Medici Riccardi after the later family that acquired and expanded it, is a Renaissance palace located in Florence, Italy. It is the seat of the Metropolitan City of Florence and a museum.

The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street. The arches rest on clustered pilasters with Corinthian capitals. The wide arches appealed so much to the Florentines that Michelangelo proposed that they should be continued all around the Piazza della Signoria.

The Boboli Gardens is a historical park of the city of Florence that was opened to the public in 1766. Originally designed for the Medici, it represents one of the first and most important examples of the Italian garden, which later served as inspiration for many European courts. The large green area is a real open-air museum with statues of various styles and periods, ancient and Renaissance that are distributed throughout the garden. It also has large fountains and caves, among them the splendid Buontalenti grotto built by the artist, architect, and sculptor Bernardo Buontalenti between 1536 and 1608.

San Miniato al Monte is a basilica in Florence, central Italy, standing atop one of the highest points in the city. It has been described as one of the finest Romanesque structures in Tuscany and one of the most scenic churches in Italy. There is an adjoining Olivetan monastery, seen to the right of the basilica when ascending the stairs.

Villa I Tatti, The Harvard Center for Italian Renaissance Studies is a center for advanced research in the humanities located in Florence, Italy, and belongs to Harvard University. It houses a collection of Italian primitives, and of Chinese and Islamic art, as well as a research library of 140,000 volumes and a collection of 250,000 photographs. It is the site of Italian and English gardens. Villa I Tatti is located on an estate of olive groves, vineyards, and gardens on the border of Florence, Fiesole and Settignano. While guided tours of the gardens are offered, Villa I Tatti itself is not generally open to the public.

The Brancacci Chapel is a chapel in the Church of Santa Maria del Carmine in Florence, central Italy. It is sometimes called the Sistine Chapel of the early Renaissance for its painting cycle, among the most famous and influential of the period. Construction of the chapel was commissioned by Felice Brancacci and begun in 1422. The paintings were executed over the years 1425 to 1427. Public access is currently gained via the neighbouring convent, designed by Brunelleschi. The church and the chapel are treated as separate places to visit and as such have different opening times and it is quite difficult to see the rest of the church from the chapel. The patron of the pictorial decoration was Felice Brancacci, descendant of Pietro, who had served as the Florentine ambassador to Cairo until 1423. Upon his return to Florence, he hired Masolino da Panicale to paint his chapel. Masolino's associate, 21-year-old Masaccio, 18 years younger than Masolino, assisted, but during painting Masolino left to Hungary, where he was painter to the king, and the commission was given to Masaccio. By the time Masolino returned he was learning from his talented former student. However, Masaccio was called to Rome before he could finish the chapel, and died in Rome at the age of 27. Portions of the chapel were completed later by Filippino Lippi. During the Baroque period some of the paintings were seen as unfashionable and a tomb was placed in front of them.

Florence Airport, Peretola, in Italian Aeroporto di Firenze-Peretola, formally Amerigo Vespucci Airport, is the international airport of Florence, the capital of the Italian region of Tuscany. It is the second-busiest Tuscan airport in terms of passengers after Pisa International Airport.

Perseus with the Head of Medusa is a bronze sculpture made by Benvenuto Cellini in the period 1545–1554. The sculpture stands on a square base which has bronze relief panels depicting the story of Perseus and Andromeda, similar to a predella on an altarpiece. It is located in the Loggia dei Lanzi in the Piazza della Signoria in Florence, Italy. The second Florentine duke, Cosimo I de' Medici, commissioned the work with specific political connections to the other sculptural works in the piazza. When the piece was revealed to the public on 27 April 1554, Michelangelo's David, Bandinelli's Hercules and Cacus, and Donatello's Judith and Holofernes were already installed in the piazza. The subject matter of the work is the mythological story of Perseus beheading Medusa, a hideous woman-faced Gorgon whose hair had been turned to snakes; anyone who looked at her was turned to stone. Perseus stands naked except for a sash and winged sandals, triumphant on top of the body of Medusa with her head, crowned with writhing snakes, in his raised hand. Blood spews from Medusa's severed neck. The bronze sculpture, in which Medusa's head turns men to stone, is appropriately surrounded by three huge marble statues of men: Hercules, David, and later Neptune. Cellini's use of bronze in Perseus and the head of Medusa, and the motifs he used to respond to the previous sculpture in the piazza, were highly innovative. Examining the sculpture from the back, one can see a self-portrait of the sculptor Cellini on the back of Perseus' helmet.

The Fountain of Neptune in Florence, Italy, is situated in the Piazza della Signoria, in front of the Palazzo Vecchio. The fountain was commissioned by Cosimo I de' Medici in 1559 to celebrate the marriage of Francesco de' Medici I to Grand Duchess Joanna of Austria. Cosimo I de' Medici was the Duke of Florence from 1537-1569 and responsible for a vast number of architectural and artistic elements in Florence that still exist today. The fountain was designed by Baccio Bandinelli, but created by Bartolomeo Ammannati with the assistance of several other artists between 1560 and 1574. It incorporates a series of mythological figures and iconographies that symbolize both Cosimo I de' Medici's power and the union of Francesco and Joanna. It has sustained a great deal of damage over the years due to vandalism and general mistreatment but underwent a major restoration completed in 2019 that restored it to its original glory.

The Bargello, also known as the Palazzo del Bargello or Palazzo del Popolo, is a former barracks and prison in Florence, Italy. Since 1865, it has housed the Museo Nazionale del Bargello, a national art museum.

The Vasari Corridor is an elevated enclosed passageway in Florence, central Italy, connecting the Palazzo Vecchio with the Palazzo Pitti. Beginning on the south side of the Palazzo Vecchio, it joins the Uffizi Gallery and leaves on its south side, crossing the Lungarno dei Archibusieri, then following the north bank of the River Arno until it crosses the river at Ponte Vecchio. At the time of construction, the corridor had to be built around the Torre dei Mannelli, using brackets, because the tower's owners refused to alter it. The corridor conceals part of the façade of the Church of Santa Felicità. It then snakes its way over rows of houses in the Oltrarno district, becoming narrower, to finally join the Palazzo Pitti. The corridor's full length is approximately one kilometre. In 2016, the corridor was closed for safety reasons and was set to re-open for tourists on 27 May 2022, marking the anniversary of the 1993 Via dei Georgofili bombing, after an 11-month renovation.

Il Porcellino is the local Florentine nickname for the bronze fountain of a boar. The fountain figure was sculpted and cast by Baroque master Pietro Tacca shortly before 1634, following a marble Italian copy of a Hellenistic marble original, at the time in the Grand Ducal collections and today on display in the classical section of the Uffizi Museum. The original, which was found in Rome and removed to Florence in the mid-16th century by the Medici, was associated from the time of its rediscovery with the Calydonian Boar of Greek myth. Tacca's bronze, which has eclipsed the Roman marble that served as model, was originally intended for the Boboli Garden, then moved to the Mercato Nuovo in Florence, Italy; the fountain was placed originally facing east, in via Calimala, in front of the pharmacy that by association gained the name Farmacia del Cinghiale. To gain more space for market traffic it was later moved to the side facing south, where it still stands as one of the most popular features for tourists. The present statue is a modern copy, cast in 1998 by Ferdinando Marinelli Artistic Foundry and replaced in 2008, while Tacca's bronze is sheltered in the new Museo Stefano Bardini in Palazzo Mozzi. Visitors to Il Porcellino put a coin into the boar's gaping jaws, with the intent to let it fall through the underlying grating for good luck, and they rub the boar's snout to ensure a return to Florence, a tradition that the Scottish literary traveller Tobias Smollett already noted in 1766, which has kept the snout in a state of polished sheen while the rest of the boar's body has patinated to a dull brownish-green.

Giotto's Campanile is a free-standing campanile that is part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy. Standing adjacent to the Basilica of Santa Maria del Fiore and the Baptistry of St. John, the tower is one of the showpieces of Florentine Gothic architecture with its design by Giotto, its rich sculptural decorations and its polychrome marble encrustations. The slender structure is square in plan with 14.45 metre sides. It is 84.7 metres tall and has polygonal buttresses at each corner. The tower is divided horizontally into five stages.

The Laurentian Library is a historic library in Florence, Italy, containing more than 11,000 manuscripts and 4,500 early printed books. Built in a cloister of the Medicean Basilica di San Lorenzo di Firenze under the patronage of the Medici pope Clement VII, the library was built to emphasize that the Medici were no longer just merchants but members of intelligent and ecclesiastical society. It contains the manuscripts and books belonging to the private library of the Medici family. The library building is renowned for its architecture that was designed by Michelangelo and is an example of Mannerism. All of the book-bound manuscripts in the library are identified in its Codex Laurentianus. The library conserves the Nahuatl Florentine Codex, the Rabula Gospels, the Codex Amiatinus, the Squarcialupi Codex, and the fragmentary Erinna papyrus that contains part of her Distaff.

The Basilica di Santo Spirito is a church in Florence, Italy. Usually referred to simply as Santo Spirito, it is located in the Oltrarno quarter, facing the square with the same name. The interior of the building – internal length – is one of the preeminent examples of Renaissance architecture.

The Forte di Belvedere or Fortezza di Santa Maria in San Giorgio del Belvedere is a fortification in Florence, Italy.

The National Central Library of Florence is a public national library in Florence, the largest in Italy and one of the most important in Europe, one of the two central libraries of Italy, along with the Biblioteca Nazionale Centrale di Roma.

Palazzo Strozzi is a palace in Florence, Italy.

Piazza della Repubblica is a city square in Florence, Italy. It was originally the site of the city's forum; then of its old ghetto, which was swept away during the improvement works, or Risanamento, initiated during the brief period when Florence was the capital of a reunited Italy—work that also created the city's avenues and boulevards. At that time, the Loggia del Pesce from the Mercato Vecchio was also moved to Piazza Ciompi. The square's Giubbe Rosse cafe has long been a meeting place for famous artists and writers, notably those of Futurism.

When visiting Florence, a stop at Piazza del Duomo is an absolute must – the heart of the city and a place filled with unique architecture. Dominating the square is the Cathedral of Santa Maria del Fiore, a masterpiece of Gothic architecture, whose iconic dome by Brunelleschi defines Florence's skyline.

The chiesa di San Salvatore di Ognissanti, or more simply chiesa di Ognissanti, is a Franciscan church located on the piazza of the same name in central Florence, region of Tuscany, Italy. Founded by the lay order of the Umiliati, the church was dedicated to all the saints and martyrs, known and unknown. It is the burial place of the famous Early Renaissance painter, Sandro Botticelli, as well as Age of Discovery-era explorer Amerigo Vespucci, from whom the name America is derived.

Santa Reparata is the former cathedral of Florence, Italy. Its name refers to Saint Reparata, an early virgin martyr who is the co-patron saint of Florence. Florence Cathedral was constructed over it.

Orsanmichele is a church in the Italian city of Florence. The building was constructed on the site of the kitchen garden of the monastery of San Michele which no longer exists. Located on the Via Calzaiuoli in Florence, the church was originally built as a grain market in 1337 by Francesco Talenti, Neri di Fioravante, and Benci di Cione. Between 1380 and 1404, it was converted into a church used as the chapel of Florence's powerful craft and trade guilds. On the ground floor of the square building the 13th-century arches that had originally been open, forming the loggia-style grain market, were walled up. The second floor was devoted to offices, while the third housed one of the city's municipal grain storehouses, maintained to withstand famine or siege. As early as 1339 the main guilds had each been assigned a space between the arches to make a framed niche, with a statue of their patron saint in it. At this time, only the Arte de Lana seems to have done so; this figure was later replaced. Towards the end of the 14th century, the guilds were again charged by the city to commission statues of their patron saints to embellish the facades of the church. The majority of the statues date from 1400 to 1428, with two of the earliest from that period later replaced, in the 16th century. The sculptures seen in the exterior niches today are copies, the originals having been removed to museums, mostly the one on the upper floor of the building.

Museo Galileo is located in Florence, Italy, in Piazza dei Giudici, along the River Arno and close to the Uffizi Gallery. The museum, dedicated to astronomer and scientist Galileo Galilei, is housed in Palazzo Castellani, an 11th-century building which was then known as the Castello d'Altafronte. Museo Galileo owns one of the world's major collection of scientific instruments, which bears evidence of the role that the Medici and Lorraine Grand Dukes attached to science and scientists. The Museo di Storia della Scienza has re-opened to the public under the new name Museo Galileo since June 10, 2010, after a two-year closure due to redesigning and renovation works. It has been inaugurated four hundred years after the publication in March 1610 of Galileo's Sidereus Nuncius.

The Magi Chapel is a chapel in the Palazzo Medici Riccardi of Florence, Italy. Its walls are almost entirely covered by a famous cycle of frescoes by the Renaissance master Benozzo Gozzoli, painted around 1459 for the Medici family, the effective rulers of Florence.

The Museo dell'Opera del Duomo in Florence, Italy is a museum containing many of the original works of art created for Florence Cathedral, including the adjacent Florence Baptistery and Giotto's Campanile. Most of the exterior sculptures have been removed from these cathedral buildings, usually replaced by replica pieces, with the museum conserving the originals. The museum is located just east of the Duomo, near its apse. It occupies the area where much of the sculpture it houses was originally carved, as well as pieces such as Michelangelo's David, which was commissioned for the cathedral. It opened as a museum in 1891, and now houses what has been called one of the world's most important collections of sculpture. Between 2009 and 2015 the museum considerably expanded, taking over the adjacent old Teatro Nuovo building. This allowed the construction of large display frameworks copying the architecture of the cathedral, into which the museum's originals are placed at their appropriate positions. As of April 2023, the director of the museum is Fr. Timothy Verdon, an American priest who has held the position since 2011.

Palazzo Rucellai is a palatial fifteenth-century townhouse on the Via della Vigna Nuova in Florence, Italy. The Rucellai Palace is believed by most scholars to have been designed for Giovanni di Paolo Rucellai by Leon Battista Alberti between 1446 and 1451 and executed, at least in part, by Bernardo Rossellino. Its splendid facade was one of the first to proclaim the new ideas of Renaissance architecture based on the use of pilasters and entablatures in proportional relationship to each other. The Rucellai Palace demonstrates the impact of the antique revival but does so in a manner which is full of Renaissance originality. The grid-like facade, achieved through the application of a scheme of trabeated articulation, makes a statement of rational humanist clarity. The stone veneer of this facade is given a channeled rustication and serves as the background for the smooth-faced pilasters and entablatures which divide the facade into a series of three-story bays. The three stories of the Rucellai facade have different classical orders, as in the Colosseum, but with the Tuscan order at the base, a Renaissance original in place of the Ionic order at the second level, and a very simplified Corinthian order at the top level. Twin-lit, round-arched windows in the two upper stories are set within arches with highly pronounced voussoirs that spring from pilaster to pilaster. The facade is topped by a boldly projecting cornice. The ground floor was for business and was flanked by benches running along the street facade. The second floor was the main formal reception floor and the third floor the private family and sleeping quarters. A fourth hidden floor under the roof was for servants.The palace contains an off-center court, built to a design that may have been adapted from Brunelleschi's loggia at his Spedale degli Innocenti. In the triangular Piazza dei Rucellai in front of the palace and set at right angles to it is the Loggia de' Rucellai, which was used for family celebrations, weddings, and as a public meeting place. The two buildings taken together with the open space between them, form one of the most refined urban compositions of the Italian Renaissance.

Piazza Santa Croce is one of the main plazas or squares located in the central neighbourhood of Florence, in the region of Tuscany, Italy. It is located near Piazza della Signoria and the National Central Library, and takes its name from the Basilica of Santa Croce that overlooks the square.

Museo Nazionale di San Marco is an art museum housed in the monumental section of the medieval Dominican convent of San Marco dedicated to St Mark, situated on the present-day Piazza San Marco, in Florence, a region of Tuscany, Italy. The museum, a masterpiece in its own right by the fifteenth-century architect Michelozzo, is a building of first historical importance for the city and contains the most extensive collection in the world of the works of Fra Angelico, who spent several years of his life there as a member of the Dominican community. The works are both paintings on wood and frescoes. The museum also contains other works by artists such as Fra Bartolomeo, Domenico Ghirlandaio, Alesso Baldovinetti, Jacopo Vignali, Bernardino Poccetti and Giovanni Antonio Sogliani. San Marco is known as the seat of Girolamo Savonarola's discourses during his short spiritual rule in Florence in the late 15th century. Also housed at the convent is a famous collection of manuscripts in a library built by Michelozzo.

Santa Trinita is a Roman Catholic church located in front of the piazza of the same name, traversed by Via de' Tornabuoni, in central Florence, Tuscany, Italy. It is the mother church of the Vallumbrosan Order of Monks, founded in 1092 by a Florentine nobleman. South on Via de' Tornabuoni is the Ponte Santa Trinita over the river Arno; across the street is the Palazzo Spini Feroni.

The Great Synagogue of Florence is one of the largest synagogues in South-central Europe, situated in Florence, in Italy. The synagogue of Florence was one of the most important synagogues built in Europe in the age of the Jewish emancipation, reached by the Jewish communities living in the Grand Duchy of Tuscany in 1848.

The Pazzi Chapel is a chapel located in the first cloister on the southern flank of the Basilica di Santa Croce in Florence, Italy. Commonly credited to Filippo Brunelleschi, it is considered to be one of the masterpieces of Renaissance architecture.

The Palazzo Vivarelli Colonna is a palace located at via Ghibellina #30, corner with angolo via delle Conce, in central Florence in the region of Tuscany, Italy.

Fortezza da Basso is a fort inserted in the fourteenth century walls of Florence. Its official name is the Fortress of Saint John the Baptist. In modern times it is home to numerous conferences, concerts and national and international exhibitions, such as Pitti Immagine. Its total area is nearly 100,000 square meters.

The Sagrestia Nuova, also known as the New Sacristy in English, is a mausoleum that stands as a testament to the grandeur and artistic vision of the Medici family. Constructed in 1520, the mausoleum was designed by the Italian artist Michelangelo. Situated adjacent to the Basilica di San Lorenzo in Florence, Italy, the Sagrestia Nuova forms an integral part of the museum complex known as the Medici Chapels.

The Medici lions are a pair of marble sculptures of lions: one of which is Roman, dating to the 2nd century AD, and the other a 16th-century pendant. Both were by 1598 placed at the Villa Medici, Rome. Since 1789 they have been displayed at the Loggia dei Lanzi in Florence. The sculptures depict standing male lions with a sphere or ball under one paw, looking to the side. Copies of the Medici lions have been made and publicly installed in over 30 other locations, and smaller versions made in a variety of media; Medici lion has become the term for the type. A similar Roman lion sculpture, of the 1st century AD, is known as the Albani lion, and is now in the Louvre. Here, the stone used for the ball is different from the basalt body. Both may derive from a Hellenistic original.

Villa Le Balze is a garden villa in Fiesole, a comune of the Metropolitan City of Florence and the region of Tuscany in central Italy. The villa was commissioned and built by Charles Augustus Strong in 1913, where he spent much of his life. It was then embroiled in the fighting of the Second World War and came into the possession of Margaret Rockefeller Strong. The villa is today owned by Georgetown University and hosts year-round study abroad students focused on interdisciplinary study of Italian culture and civilization, as well as such other subjects as politics and history.

Santa Maria del Carmine is a church of the Carmelite Order, in the Oltrarno district of Florence, in Tuscany, Italy. It is famous as the location of the Brancacci Chapel housing outstanding Renaissance frescoes by Masaccio and Masolino da Panicale, later finished by Filippino Lippi.

San Marco is a religious complex in Florence, Italy. It comprises a church and a convent. The convent, which is now the Museo Nazionale di San Marco, has three claims to fame. During the 15th century it was home to two famous Dominicans, the painter Fra Angelico and the preacher Girolamo Savonarola. Furthermore, the church houses the tomb of Pico Della Mirandola, a Renaissance philosopher and the so called Father of Humanism.

The Villa Medici at Careggi is a patrician villa in the hills near Florence, Tuscany, central Italy.

The Piazza della Santissima Annunziata is a square in the city of Florence, in the Tuscany region of Italy. The Piazza is named after the church of the Annunziata at the head of the square. In the center of the piazza is the bronze Equestrian statue of Ferdinando I and two Mannerist fountains with fantastical figures, all works completed by the Late Renaissance sculptor Pietro Tacca.

The Officina Profumo-Farmaceutica di Santa Maria Novella is a perfumery and herbalist shop in Florence, in Tuscany in central Italy. It is not a pharmacy and does not sell medicines, but is sometimes described as the oldest pharmacy in the world. Its origins can be traced back to the Dominican monastery of Santa Maria Novella and the mediaeval medicines created by the monks. A retail operation was established in Via Reginaldo Giuliani in 1612 by Fra Angiolo Marchissi, becoming famous over the coming centuries for the quality and salubrious benefits of its products, ranging from perfumes, pot pourri and toiletries, to liqueurs, medicinal balms, and foods. It remained in the ownership of the Church of Santa Maria Novella until 1866, when the property was confiscated by the Kingdom of Italy and sold to a private owner. Since the 1990s Santa Maria Novella's retail operations have expanded rapidly to include locations in every major Italian city, and 75 shops throughout the world, in countries including the United States, Panama, Japan, South Korea, Australia, and South Africa.

The Badìa Fiorentina is an abbey and church now home to the Monastic Communities of Jerusalem situated on the Via del Proconsolo in the centre of Florence, Italy. Dante supposedly grew up across the street in what is now called the 'Casa di Dante', rebuilt in 1910 as a museum to Dante. He would have heard the monks singing the Mass and the Offices here in Latin Gregorian chant, as he famously recounts in his Commedia: Florence, within her ancient walls embraced, Whence nones and terce still ring to all the town, Abode aforetime, peaceful, temperate, chaste. In 1373, Boccaccio delivered his famous lectures on Dante's Divine Comedy in the subsidiary chapel of Santo Stefano, just next to the north entrance of the Badia's church.

The National Archaeological Museum of Florence is an archaeological museum in Florence, Italy. It is located at 1 piazza Santissima Annunziata, in the Palazzo della Crocetta.

The Parco delle Cascine is a monumental and historical park in the city of Florence. The park covers an area of 160 hectares. It has the shape of a long and narrow stripe, on the north bank of the Arno river. It extends from the centre of Florence until the point where the Mugnone flows into the Arno.

The Pasquino Group is a group of marble sculptures that copy a Hellenistic bronze original, dating to ca. 200–150 BCE. At least fifteen Roman marble copies of this sculpture are known. Many of these marble copies have complex artistic and social histories that illustrate the degree to which improvisatory restorations were made to fragments of ancient Roman sculpture during the 16th and 17th centuries, in which contemporary Italian sculptors made original and often arbitrary and destructive additions in an effort to replace lost fragments of the ancient sculptures. One of the most famous versions of the composition, though so dismembered and battered that the relationship is scarcely recognizable at first glance, is the so-called Pasquin, one of the talking statues of Rome. It was set up on a pedestal in 1501 and remains unrestored. A version of the group, probably intended to represent other Homeric figures, is part of the Sperlonga sculptures found in 1957.

The Tornabuoni Chapel is the main chapel in the church of Santa Maria Novella, Florence, Italy. It is famous for the extensive and well-preserved fresco cycle on its walls, one of the most complete in the city, which was created by Domenico Ghirlandaio and his workshop between 1485 and 1490.

The Hospital of Santa Maria Nuova is the oldest hospital still active in Florence, Italy.

The Villa di Marignolle is a Medici villa in the hills between Galluzzo and Soffiano, in the south-western suburbs of the comune of Florence, in Tuscany in central Italy. It passed into the hands of the Medici family after the Pucci Conspiracy, when it was confiscated from Lorenzo di Piero Ridolfi by Francesco I de' Medici, Grand Duke of Tuscany. Francesco passed it to his illegitimate son Antonio. It is one of the many villas of the Medici family of which Giusto Utens painted lunettes in the Villa di Artimino between 1599 and 1602. It is not one of the fourteen sites which, since 2013, together make up the UNESCO World Heritage Site, the Medici Villas and Gardens in Tuscany.

The Statue of Dante Alighieri is a monument to Dante Alighieri in Piazza Santa Croce, outside the Basilica of Santa Croce, in Florence, Italy. Erected in 1865, it is the work of the sculptor Enrico Pazzi.

The Church of Santa Maria Primerana is a Roman Catholic church located in the Tuscan town of Fiesole. It encloses the eastern end of Piazza Mino, next to the Praetorian Palace.

The sculpture "Ercole e Caco" by Baccio Bandinelli is located in Piazza della Signoria in Florence, next to a replica of Michelangelo's David. Created in 1534, this marble statue depicts the mythological hero Hercules overpowering the fire-breathing giant Cacus. Commissioned by the Medici family, the work was intended to symbolize the power and ingenuity of Hercules, reflecting the Medici's own strength and influence.

Santa Felicita is a Roman Catholic church in Florence, region of Tuscany, Italy, probably the oldest in the city after San Lorenzo. In the 2nd century, Syrian Greek merchants settled in the area south of the Arno and are thought to have brought Christianity to the region. The first church on the site was probably built in the late 4th century or early 5th century and was dedicated to Saint Felicity of Rome. A new church was built in the 11th century and the current church largely dates from 1736–1739, under design by Ferdinando Ruggieri, who turned it into a one nave edifice. The monastery was suppressed under the Napoleonic occupation of 1808–1810. The Vasari Corridor passes through the façade of this church and on the inside there is large window, covered by a thick gate, where the Grand Dukes of the Medici family used to listen to the mass without being seen by the people staying at ground level.

The Opificio delle pietre dure, literally meaning Workshop of semi-precious stones, is a public institute of the Italian Ministry for Cultural Heritage based in Florence. It is a global leader in the field of art restoration and provides teaching as one of two Italian state conservation schools. The institute maintains also a specialist library and archive of conservation and a museum displaying historic examples of pietre dure inlaid semi-precious stones artefacts. A scientific laboratory conducts research and diagnostics and provides a preventive conservation service.

Casa Buonarroti is a museum in Florence, Italy. The building was a property owned by the sculptor Michelangelo, which he left to his nephew, Leonardo Buonarroti. The house was converted into a museum dedicated to the artist by his great nephew, Michelangelo Buonarroti the Younger. Its collections include two of Michelangelo's earliest sculptures, the Madonna of the Stairs and the Battle of the Centaurs. A ten-thousand book library includes the family's archive and some of Michelangelo's letters and drawings. The Galleria is decorated with paintings commissioned by Buonarroti the Younger and created by Artemisia Gentileschi and other early seventeenth-century Italian artists.

The English Cemetery in Florence, Italy is an Evangelical cemetery located at Piazzale Donatello. Although its origins date to its foundation in 1827 by the Swiss Evangelical Reformed Church, the name English Cemetery results from the majority of its burials being Protestants from the British and American communities of Florence, and who gave the largest sum of money for the purchase of its land. The cemetery also holds the bodies of non-English speaking expatriates who died in Florence, among them Swiss and Scandinavians, as well as Eastern Orthodox Christians, among them Russians and Greeks. The cemetery is still owned by the Swiss Evangelical Reformed Church, and is open for the interment of cremated ashes, now of all Christian denominations, but no longer for burials.